Three Approaches to Content Collection

collecting content in community

As Learning Bird’s Education Content Manager, one of my main responsibilities is conducting needs assessments with our school and community partners. Discussing the community’s academic and cultural needs helps us outline the resources we will create collaboratively. A resource could be a video, audio file, handout activity or project, or informational slideshow. During these conversations, communities provide materials that we can incorporate into their resources. These include photos, videos, educational resources, audio clips, and other materials that support learning. We incorporate these materials through our personalized approach to content creation.

Needs Assessments and Content Creation

One of the best parts of the needs assessment conversation is getting to know the community through the people. They share insights into teaching practices, learners, and content that best support the educators, learners, school, and community. Sometimes these are cultural resources to preserve language and traditions. Other times, they are academic resources to encourage student success in English language arts, math or science. It demonstrates that just as each community is different, so is its content needs.

These differences influence how I approach collaborative content creation. I visited three communities over the last few months to conduct onsite needs assessments: Treaty 4 in Saskatchewan, Gitsegukla in British Columbia, and Lac La Croix in Ontario. Each visit was radically different, from the landscapes to the meeting places and conversations. Yet they all resulted in the same outcome: an outline of the resource kits we would create for this project. Read on to learn more about each trip.

Treaty 4 Education Alliance

On a cold but sunny day at the end of February, I visited Treaty Education Alliance’s office in Fort Qu’Appelle, Saskatchewan, for a jam-packed day of needs assessment and content collection. My colleague Roxanne and I met with their team of Student Retention Facilitators. We discussed the needs of the five schools we would be working with. Before the meeting, the team had sent some curriculum documents and educational resources to us. We already understood their inquiry-based approach to learning.

We determined they wanted to create resource kits based on storybooks researched, written, and illustrated by several grade 5 classes. These books contained an abundance of information about the communities and their history. As a team, we pulled out the major themes from each book. These included land loss, displacement, colonization, and residential schooling. We decided that four resources would address each storybook and cover the major themes. That way, learners from different schools could learn about each other’s histories.

We also discussed the potential of creating language resources. The team shared a wealth of educational resources and textbooks used in their schools. That allowed us to see a sampling of materials successfully used with learners. We left with our arms full of materials and an agreed-upon topic outline we could develop and expand on.

Gitsegukla First Nation

My trip to Gitsegukla in British Columbia was quite different from Treaty 4. Instead of meeting a whole team of educators, my colleague Kelsey and I drove to Gitsegukla Elementary School to meet with Terri, their grade 7 educator. Before diving into our content conversation, we first discussed her classroom. We talked about her learners and their learning needs, her teaching strategies, and the resources she uses in her classroom. During the conversation, she also mentioned resources she wished she had. We discussed some of the challenges she was facing and brainstormed some ideas.

After I had a better idea of her classroom situation and what her learners were like, we discussed the learning objects she would like to collaborate on. Terri lacked science resources, so we decided to dedicate all but one resource kit to science. We would focus on sustainability, cooking, recycling, and ecosystems. We reserved the last resource kit for an English language arts lesson about Indigenous poetry in British Columbia.

The next day, we observed a visiting scientist teach the learners about insects, bees, and pollination. It was great to meet the learners and observe them interacting in the classroom. I also took photos and collected footage around Terri’s classroom, throughout the school, and the surrounding areas. Collecting visuals helps us personalize our content and make it relevant for the learners, who will recognize their community in content while they are learning. Before leaving, we reviewed the outline with Terri to ensure that the topics and activities would suit her learners and teaching strategies. Through speaking with Terri, it was easier to see the daily reality of her classroom and understand the challenges that her learners face. That helps us ensure the content we’re creating together impacts her classroom.

Lac La Croix First Nation

My latest content needs assessment trip took me to Lac La Croix First Nation in Ontario for a week-long visit with my colleague Charlie. We had already created an outline with this community during previous needs assessment phone calls. Our goal was to come in-community to gather as many materials as possible for the resources we’d agreed to build together. That included recording interviews with Elders and videotaping cultural activities. Once we arrived at the school, we met with the principal Debbie and the team we would be working with during the week. We discussed the schedule of events and activities. We rearranged topics in the outline to accommodate what we could document and gather during our time in the community.

Over the week, the community and activities at the school immersed us, including smoking sturgeon and beaver, a fish fry, maple syrup tapping, and a community meeting about land. We recorded four sessions with community Elders and other Knowledge Keepers. They came to the school and taught the learners various topics, like hunting, land loss, treaties, identity, and culture. The team also sifted through boxes of photos of land-based activities from Debbie and scanned them digitally. We photographed other aspects of the community, such as the lake, forest, and Pow Wow grounds. Our team left with over 200 GB of images and video recordings at the end of the week. We will use them to create resource kits to help preserve and share the culture, traditions, and community members of Lac La Croix.

Personalized Content Creation

As you’ve read, our collaborative approach to content creation is highly personalized and varied from community to community. It allows us to meet the community’s unique needs, and it certainly keeps my job interesting.

If you would like to talk with us about collaborating on content creation for your school or community, don’t hesitate to contact us at 1-888-844-9022 or achieve@learningbird.com.

National Indigenous Peoples Day: Celebrating 20 Years

national aboriginal peoples day

June 21, 2016, is the 20th anniversary of National Indigenous Peoples Day in Canada. In 1996, then Governor General of Canada, Roméo LeBlanc, created this day to recognize and celebrate the heritage, diverse cultures, and contributions of First Nations, Métis, and Inuit. The government of Canada chose the particular date because it is the summer solstice. Many Indigenous Peoples traditionally celebrated their culture and heritage around this time of the year.

Truth and Reconciliation Through Education

Before celebrating with your learners, it’s important to understand Canada’s history with Indigenous Peoples. It is also important to know the current initiatives attempting to mend the relationships between non-Indigenous and Indigenous Peoples.

One person who has been working to share this knowledge is Charlene Bearhead. She has worked in education for the last 30 years. Recently, she worked as the education lead for the National Centre for Truth and Reconciliation (NCTR). She works with universities and educators across Canada and helps connect people with resources from the NCTR.

After the Truth and Reconciliation Commission (TRC) in Ottawa last June, Bearhead spoke about education as an important factor in reconciliation. In a recent interview with the CBC, she shared the following comment: “Really what we’re teaching [children] is who we really are as Canadians and what our collective history is. [So] they grow up with that as a part of knowing who they are, who we are collectively, what our truth is, and what our values are now, and where we’re heading.”

Jean-Paul Restoule, Associate Professor of Aboriginal Education at OISE/University of Toronto, echoed that sentiment in a blog post last year: “Achieving genuine reconciliation between Aboriginal and non-Aboriginal Peoples in Canada is a responsibility we all share… It starts with developing understanding and building relationships.” Restoule also quoted Governor General David Johnston’s speech at the ceremonial closing of the Truth and Reconciliation Commission. Johnston said, “Education – learning – offers us the best chance of finding our way out of this situation. Our hope lies in learning and an unwavering commitment to tolerance, respect, and inclusiveness in our relationships.”

Celebrate National Indigenous Peoples Day

Learners of all backgrounds in Canada can celebrate and honour Indigenous Peoples today and every day. You can use this selection of events, activities, and resources to celebrate National Indigenous Peoples Day at any time.

  • Crown-Indigenous Relations and Northern Affairs Canada (CIRNAC) encourages using these learning materials to celebrate National Indigenous Peoples Day. They also provide other classroom resources for learning about First Nations, Métis, and Inuit cultures.
  • The Ontario Institute for Studies in Education at the University of Toronto has teaching resources at all grade levels for and about Aboriginal Education. It also offers great resources for infusing Indigenous perspectives into your teaching.
  • Historica Canada released a new Heritage Minute for National Indigenous Peoples Day. It looks at the history of the Indian Residential School system and its effects on Indigenous people.
  • Encourage learners to get involved in activities outside the classroom at local events.

Two Perspectives on Using Social Media in Education

Two perspectives on using social media in education

Between Facebook, Twitter, Instagram, Snapchat, and whatever’s next, social media plays an integral part in most people’s lives these days. As an educator, it can be a challenge to keep track of what’s hot and what’s not (last year, my learners told me Facebook wasn’t “cool” anymore), and it is an even bigger challenge to know when and how to use social media in education. There are a lot of questions floating around about the best practices for incorporating social media in education, the role of educators in modelling its appropriate use, and how to teach learners to use it responsibly.

To answer these questions, we asked two social media rockstars, librarian Gwyneth Jones and administrator Tyler Tarver, about their approaches to using social media in their school and with their colleagues and learners.


Gwyneth Jones

Gwyneth Jones

Gwyneth A. Jones, aka The Daring Librarian, is a blogger, Tweeter, international Ed Tech speaker, trope and meme archivist, creator of content, a citizen of advocacy, and resident of social media. Gwyneth is a Google Certified Teacher and author of the award-winning blog Daring Librarian. Jones is also a Library Journal Mover & Shaker, a Gale/Cengage New Leader, and was named the Best of the Best and a Visionary Leader by Teacher Librarian Magazine.

1. How do you use social media in your professional and personal lives?

There are so many social media outlets out there to choose from. It could either be a minefield or a diamond mine for connecting, sharing and creating your own Personal Learning Network or PLN.

I use social media only in a professional sense – to share the cool things that go on every day in my school and my library, celebrate my amazing students and connect with my parents and our local and global community.

In other words, I have purposefully and intentionally not used social media in any personal way. For some, that might seem like a sacrifice. For me, it’s been both a blessing and sort of a relief. That’s not to say that I don’t occasionally share some personal stuff. I blogged about my Twitter formula. I’d say I share about 82% ed tech and library information, 8% pop culture (Bravo Housewives, movies, gentle mocking of the Kardashians) and just 4% personal stuff. I don’t share personal stuff all the time. To me, that would be pointless, self-aggrandizing, and tiresome.

I recently blogged about the difference between sharing what’s professional, personal, and private on social media. Sharing personal is fine – it shows you’re human! Sharing private information is just TMI and a little bit creepy. Twitter and Scoopit are my preferred social media tools, and I recently added Instagram and Vine because that’s where my kiddos are!

On Social Media, It's Good to: Overshare the Professional, Undershare the Personal, Never Share the Private (Because that's just creepy!)

2. What is your philosophy on using social media in education?

The only way I use social media in school is to highlight and feature the amazing things happening every day. With Instagram and Vine tied to my Twitter, I like to catch my students being AWESOME. From shelfies (kids posing with books they’ve checked out) to science projects, robotics, school plays, to our Makerspace, this is an opportunity to connect with the community.

“We have the power to shift the mindset of the public sector if we shout out via social media the great things that kids do in our schools,” says Tony Sinanis and Dr. Joe Sanfelippo from the book The Power of Branding: Telling Your School’s Story, and I dig that! I also blogged about it, sharing more thoughts on how you can be the best PR person for your school, mainly by showing and shouting out the coolness! We have the power to shift the mindset of those in the public sector if we shout out via social media the great things that kids do in our schools. By Tony Sinanis and Dr. Joe Sanfelippo

3. What are some ways to teach students how to use social media responsibly?

By modelling good social media use, creating our own positive digital footprint, and celebrating the AWESOME that goes on in our school every day. Teaching by doing it. Teaching by living it – every day.

4. What is the best way to coach your peers to use social media?

By encouragement, PD coaching, and modelling. Also, when teachers do join Twitter or other social media outlets, I try to be the first to follow them and retweet and pass on the cool content or everyday school moments they are sharing!

5. How do you model appropriate behaviour for using social media for both fellow educators and students?

I think it’s important to keep your interactions on social media authentic, real, and always professional. Being positive, passionate, and upbeat is a good thing, too!

6. How can social media teach digital literacy to students or create digital citizens?

We have digital citizen classes in our school – with content created by the tech leaders of our district. Again, the best way to teach is to be a good example – using social media positively, professionally, and ethically. On social media, you can push the positive and change the world, you can grow professionally by leaps and bounds, or you could get in really big trouble. Share thoughtfully, wisely, and well.


 

Tyler TarverTyler Tarver

For a couple of years, Tyler Tarver was a public school principal and is now the Director of Curriculum, Instruction, Federal Programs, Technology, & Communications for a 4A School District in Arkansas. He runs a popular YouTube channel covering various topics, from math lessons to personal family events. Tyler is the author of three books, hosts a humour podcast called Talk Hugs, and speaks at national conferences and events.

1. How do you use social media in your professional and personal lives?

We use everything we can to address our students and constituency within our district. Instagram, Snapchat, Twitter, Facebook, and our website are key players in this. We brag about every student and teacher we can. Personally, I use it to promote my YouTube education channels and photo/video work.

2. What is your philosophy on using social media in education?

Use is as much as possible to brag about as many people as possible.

3. What are some ways to teach students how to use social media responsibly?

We have a presentation to inform students on responsible student internet usage.

4. What is the best way to coach your peers to use social media? 

We also provide this [presentation] for our teachers. We can summarize it to teachers by saying: stay positive, stay appropriate.

5. How do you model appropriate behaviour for using social media for both fellow educators and students?

Post things that are always positive or appropriate! Before posting, I recommend people text questionable materials to a conservative friend to get another opinion.

6. How can social media teach digital literacy to students or create digital citizens?

That’s the world we’re in, and it’s going to be even more intertwined in society in the coming years. We are in the process of creating courses and training for teachers and students to be responsible and informed! Post often and post great!

Tyler created this awesome video about Snapchat. You can also check out his playlist about social media.


Thanks to Gwyneth and Tyler for providing great insight from the perspective of two different roles within education. You can connect with them on Twitter at @GwynethJones and @tylertarver.

How to Write a Grant 101: A Crash Course

Writing a grant

Writing a grant can be an intimidating and overwhelming process. Deadlines are tight, applications are long, and writers are under considerable pressure to compose a successful grant. Some schools have designated grant writers. However, most do not. The latter situation is when educators and support staff must step up and write grants to secure funding for educational resources. If you happen to be in that situation, don’t sweat! The following will provide an overview of what to expect and include in a grant submission.

Genera Grant Structure

There are two main types of grants: foundation and government. Examples of foundation grants include community foundations, independent and family foundations, and corporate foundations. Government grants are available at the federal, state, and local levels. While foundation and government grant applications differ, each has similar elements. The general structure of a grant includes:

    1. Summary
    2. Introduction of the School
    3. Needs analysis
    4. Description of project and objectives
    5. Project management plan and timeline
    6. Project evaluation metrics or goals
    7. Budget

Other sections could include appendices, supporting documents, and opportunities for securing future funding.

Preparing to Write the Grant

Before starting the grant writing process, there are a few things to keep in mind:

  • Read the grant information. Then read it again. Then read it one more time. Make sure you understand what kind of projects the grant aims to support, and ensure that you are eligible to apply and a great fit for the evaluation criteria.
  • Ensure that the grant description fits your needs without stretching or modifying your objectives, goals or activities. Most government grants require extensive monitoring, evaluation, and reporting to keep the funds, so accommodating your objectives to meet their description is risky and irresponsible in the long run.
  • Discuss the grant with your principal or superintendent. They often need to be on board with the grant you are applying for, as larger grants require a signature from the school’s leadership.
  • Collect as much information about your school as possible. This includes its mission, vision, list of school board members, learner numbers and demographics, proof of school’s 501(c)(3) non-profit status if applicable (or the name of your applicable partner), and information such as similar or relevant programs that your school has previously run and grants that have been previously awarded.

Using the information above as a framework, here are some tips on tackling each grant application section.

1. Summary

The summary is arguably one of the most important sections of the grant. It will provide a succinct description of the essence of the project, summarizing the key objectives and explaining what you wish to accomplish. The summary should only be about two to three paragraphs or, at a maximum, up to a page, depending on the specific grant requirements. Make sure to include who you are, what you want to do, how you want to do it, how you’ll evaluate how well you’ve done it, the impact you’ll have on your target audience and the amount of money you’ll need to accomplish the project.

2. Introduction of the School

The second section will introduce your school, establishing its credibility and, most importantly, your team’s ability to achieve the objectives and activities outlined in the proposal successfully. It will describe the vision and mission of the school, provide facts about the number and demographics of the learners, and outline brief biographies of the school board members and key staff members. For a foundation grant, this section provides the opportunity to illustrate how your school’s vision and mission align with that of the foundation.

3. Needs analysis

Also referred to as the needs assessment or problem statement, this section outlines the issue you will use the grant money to address. This section provides the opportunity to insert emotion into the application, which helps to create a compelling narrative about the school’s needs. For this section, you will want to break out your best storytelling skills to really illustrate the needs through descriptive text, compelling statistics, quantitative data and testimonials/quotes from influential people. It’s helpful to include information about your community and stories from your learners or educators. It should also include the target audience, description of the geographical area, and how your project plans to address the problem and improve the situation.

4. Description of the project + the goals and objectives

This section will describe the project and offer a realistic, thoughtful solution to the problem. The description of the project must match the funder’s priorities, identify the key people needed for executing the project and explain how these individuals will be a part of the grant project. It should address how the project will continue to support itself after the initial funding ends, like additional grant funding, tax levies, fundraising, donations or other government funding streams. This section will also contain the goals and objectives for the project. Goals are broad statements of what this project will achieve. They are more abstract and conceptual and cannot be measured. On the other hand, objectives must be SMART (Specific, Measurable, Attainable, Realistic, and Timely). A grant submission should have no more than three goals, with subsequent objectives under each.

Establishing the Grant’s Goals

Before writing your objectives, consider the following questions:

Specific: What change do you want to occur?

Measurable: How will you measure this change?

Attainable: How much change do you need for the activity to be considered successful?

Realistic: How realistic is this project? Is it likely to succeed?

Timely: How quickly do you want the results? And, how much is it going to cost?

An example of an objective would be: Increase the numeracy scores of at least 60% of the 9th-grade learners at XYZ High School by 3 points on the NWEA MAP testing within one academic year at the cost of $10,000. Once you create your objectives, be sure to maintain the same wording throughout your application. While it might sound repetitive to you, resist the temptation to use alternative phrasing. It will confuse the reader if the objectives aren’t consistent, and they might not understand what the project is attempting to achieve, which could lead to a rejected application.

5. Project management plan + timeline

This section will provide the blueprint for the project. It will outline the start and finish dates for the specific project activities to meet the project’s objectives. You will assign each project activity to a person or group responsible for managing and accomplishing it. A great way to support this section is to use a visual element, such as a table or chart, to illustrate the project plan, timeline, and deadlines. Additional information, such as meetings, required resources, and extra personnel, could also be listed in the table.

6. Project evaluation

This is an important section because it will demonstrate how you plan to prove that your project successfully achieved your objectives. There are two types of evaluation: formative and summative. Formative evaluations assess the initial and ongoing project activities and provide new insights into how to improve the activities to provide a better outcome. Summative evaluations assess the quality and success of activities at the end of the project. It specifically assesses whether or not the objectives have been achieved.

In designing either evaluation, you must decide whether data will be collected quantitatively, qualitatively, or via a mixed method. In the example objective from Step 4, the evaluation tool is the NWEA MAP test, which will provide quantitative scores from the fall and spring tests. Using both sets of scores from the 9th-grade numeracy test, you can calculate the progression of each student. Your project has achieved its objective if at least 60% of the student scores have increased by 3 points. You should create an evaluation plan for each objective, including who is responsible for collecting and analyzing the data and how often it will happen. It should outline what is to be measured and how it will be gathered and presented.

7. Budget

This section will provide the monetary budget for the project. You can generally break down budgets into two categories: direct and indirect costs. Direct costs include personnel salaries, travel, equipment, resources or supplies, and in-kind contributions. Indirect or overhead costs are building expenses, utilities, insurance, etc. Some indirect costs are not permitted to be included in grants, so be sure to double-check the one you are applying for before building out your budget. While the above framework provides a great starting point, be sure to familiarize yourself with the specific grant you are applying for to make sure you include all of the requirements.

 


Grant Writing: General Tips and Takeaways

    • The briefer, the better. Using simple, concise language will translate to an easier-to-read application.
    • Follow the style guidelines and remain consistent in format (font size, line spacing, etc.). If there is a specific font, for example, Times New Roman size 12, use it! Grants are not the time to display typography knowledge or exercise a creative license.
    • Don’t reword objectives. Write clear objectives using an active voice, and repeat them throughout your grant. Don’t worry about sounding repetitive. If you change the phrasing, your reader might become confused and not fully understand what your project is trying to achieve.
    • Ask a colleague or friend to edit it. Don’t solely rely on electronic spelling or grammar checks – not only do grants need to be technically flawless, but they also need to make sense.
    • Start writing and applying early. Grants can take considerable time to write, and it can take months or years to receive the funding, so plan ahead for large projects.

Happy grant writing!

Timelines in the Classroom: Making Connections

Timelines

Timelines help learners make connections between the present and past visually appealing and chronological. Arranging events along a timeline makes it easier for learners to understand their relationships. The format also appeals to visual learners by embedding rich media in the timeline.

Timelines Across the Curriculum

It’s very common for history or social studies educators to use timelines in the classroom, whether to plot events from a battle or highlight milestones from a particular era. However, using timelines isn’t limited to just these subjects. Here are assignment ideas for using timelines in other subjects.

Visual arts

Guide learners to choose an artist and map out the highlights of their career, focusing on their achievements in their particular field of art.

Music

Assign learners a genre of music and a period, and have them select and justify the most influential songs of each decade.

English language arts

Have learners create a chronological timeline of the main events in a book. If it is an independent novel study, learners can learn about new books from their peers’ timeline presentations. If it is a class novel study, learners can present their timelines to each other, defend their main event choices, and discuss how they differ.

Science

Assign learners a topic, like genetics, evolution, or biochemistry, and guide them to identify the advancements made in that field over a particular timeframe.

Technology & Digital Literacy

Create a list of technologies such as social media, digital games, television, radio, the internet, and mobile devices. Have learners choose and justify ten top milestones and plot them on a timeline.

Timelines as Summative Assessments

You can use timelines as a summative assignment in any subject by having learners map out the key events you covered in the unit chronologically. It will help you identify if they met all of the unit’s objectives and provide them with study notes for written assessments, like a test or exam.

While there are various ways to have learners create their timelines using paper, many free websites provide interactive and easy-to-use timeline tools. Check out the following list to see which tools suit your classroom’s needs.

Creating Timelines With Interactive Tools

Tiki-Toki

The free version of Tiki-Toki offers one timeline per user. It is browser-based, which means no downloading. You can create colour-coded categories that provide for further grouping of events. You can embed images, videos, and text into each timeline event. For those using Chromebooks, there is also a Tiki-Toki Google Chrome extension.

Tiki-Toki Timelines

Sutori

This web-based platform offers up to 100 student and educator-created timelines under a free account. The timeline displays large visuals and videos and offers the feature of adding assessment questions. Educators can also browse and embed pre-existing timelines that align with their curriculum.

Sutori Timelines

Timetoast

Timetoast is a free public account that allows you to create and publish timelines online. While it is not as visually appealing as other options, the learning curve is low and easily accessible.

TimeToast The development of Apple timeline


2D Digital Timelines

Canva

Canva is a free tool to create poster-style timeline infographics. The learning curve is incredibly low for the beautiful images learners can create with this application. While it is web-based, it also comes as an app for iPads.

Canva Career Timeline

Easelly

This free website allows users to create timeline infographics using pre-made templates and drag-and-drop design elements. Users can use the extensive library of images or their own images.

Easl.ly Top Songs 1940s to 2010

Creating timelines in the classroom, whether digitally or on paper, allows learners to visually depict information and make stronger connections between past, present, and future events.

Resources For Remembrance Day

Poppies are a common Remembrance Day symbol.

November 11th marks Remembrance Day, an opportunity to honour those who have served in the nation’s defence. Originally referred to as Armistice Day and known as Veterans Day in the United States, this date represents the end of hostilities in the First World War. We pay tribute to veterans by wearing poppies, participating in two minutes of silence, and reciting the poem, “In Flanders Fields.”

Teaching Remembrance Day

Remembrance Day is an important occasion and a meaningful learning opportunity for learners. History classes teach learners about November 11th, but what about other subjects? How can we implement a cross-curricular approach to integrate Remembrance Day into our other classes?

I have taken several key concepts as inspiration for lessons in the following subjects.


Visual arts

Keep Calm and Carry On has an unexpected connection to Remembrance Day.
(Source: Wiki Commons)

“Keep Calm and Carry On” has become a popular saying, remixed meme, and image that your learners are sure to recognize. I bet they didn’t know that the British government made the original poster version to boost morale during the Second World War. By engaging your learners in a discussion about morale, you could ask for examples of how the poster has been altered but still contains similar sentiments. A simple Google image search will retrieve thousands of versions, like “Keep Calm and Stay Strong” or “Keep Calm and Sparkle On.” You could then ask learners to create a version for themselves, using their best morale-boosting prose that reflects their own mantra. They could also write a one-paragraph reflection on their poster, explaining its meaning and how it relates to the original British concept.

 

 

 


English language arts

The Peace Sign
The peace sign. (Source: Pixabay)

While most learners use the peace sign in their selfies or think of it as a symbol of the 1960s flower-power era, Winston Churchill used it first. It used to be an obscene gesture, but Churchill transformed it into one of peace and positivity. Have learners conduct further research into the topic and write about how the peace sign has evolved. How is it most commonly used now? How has the meaning changed?

 

 


Drama

The poem "In Flanders Fields" is often recited on Remembrance Day.
In Flanders Fields poem. (Source: Wiki Commons)

Using the poem “In Flanders Fields,” have learners create a tableau. A tableau is when learners create still images with their bodies to depict a particular scene. Divide your learners into small groups, and give each group two to three consecutive lines of the poem. Learners should discuss what their lines mean and then work together to create the still images that symbolize them. Have a learner narrate the poem aloud (or play it from a recording) while learners form their silent scenes. Together it will depict the entire poem. Afterward, they should be able to explain the meaning behind their lines.

 

 


History

Example timeline from Tiki Toki.
Example timeline from Tiki Toki. (Source: Tiki Toki)

Guide learners to create a timeline that captures the ten most important events from the First World War. One easy-to-use online tool is Tiki-Toki, which allows learners to create events and add images, videos, and URL links. Learners can colour-code events into different categories, allowing them to analyze the event’s significance further and determine its category. Other online timeline tools are Sutori, Timetoast, and Preceden.

 

 


How will you be teaching Remembrance Day in your classroom?

 

Additional Remembrance Day Resources

Canadian Veterans Day Teacher Guides

#remembrance #november11 #lestweforget